![]() Shi-mok tells him to alert Interpol and arrange to send investigators to Taiwan.Ĭhairman Lee calls his son-in-law and asks him what he’s plotting by moving Yeon-jae’s money, making her leave the country, and then trying to steal Chairman Lee’s profit from the bank. Just then, Clerk Kim bursts into Shi-mok’s office to inform him that a man with Secretary Woo’s name went to Taipei yesterday. Shi-mok stares at the last picture remaining on his white board, recalling his then-superior Lee Chang-joon telling him that prosecutors were different from those they needed to punish. Shi-mok, Yeo-jin, and their team challenge everything they thought they knew before, with the hope that this long fight can finally be over. But the villains in this drama have never been straightforward, and in this final episode, events once again take an unexpected turn. ![]() It’s the end of the road, and those who have been escaping justice for far too long will be called to pay the price. ![]() ![]() 307 AugAugForest of Secrets: Episode 16 (Final) by Anisa ![]()
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![]() Plugging the drain : the never-ending threat to siphon away Great Lakes water A shaky balancing act : climate change and the fall and rise of the lakes A Great Lake revival : charting a course toward integrity, stability, and balance. Dan Egan is the author of New York Times bestseller The Death and Life of the Great Lakes. Continental undivide : Asian carp and Chicago's backwards river Conquering a continent : the mussel infestation of the West North America's dead sea : toxic algae and the threat to Toledo’s water supply - The future. A journalist in residence at the University of Wisconsin-Milwaukees School of Freshwater Sciences, he is a two-time finalist for the Pulitzer Prize and winner of the Los Angeles Times Book Prize. The dream of a fourth seacoast : dreams of a seaway Three fish : the story of lake trout, sea lampreys and alewives The world’s great fishing hole : the introduction of coho and chinook salmon Noxious cargo : the invasion of zebra and quagga mussels - Back door. ![]() ![]() Full Bibliographic Record Publication information: ![]() ![]() ![]() ![]() Labyrinth (1986): Collaboration with Jim Henson once again.Unused designs of his were incorporated in the series. The Dark Crystal: Age of Resistance (2019): Served as consultant.The Dark Crystal: Creation Myths (2012-2015): Served as consultant and drew the covers. ![]() The Dark Crystal (1982): Froud worked on the concept art, designing the film's creatures and world in collaboration with Jim Henson.Spawned an obscure 1981 animated TV special. Faeries (1978): An art book co-produced by Froud and Alan Lee probably Froud's best known work.Not to be confused with the Canadian voice actor of the same name. His son Toby appeared at age 2 in Labyrinth and would go on to become the design supervisor of The Dark Crystal: Age of Resistance. Most people will recognize him for his work on the films Labyrinth and The Dark Crystal, in which his Concept Art provided the foundation for the extensive Worldbuilding seen in those films. Brian Froud (born 1947) is a well known British Fantasy Art illustrator.Īfter the rise of Fantasy Art in the Seventies with notable figures like Frank Frazetta and Boris Vallejo, the cladistic tree of it grew and branched into subgenres, one such subgenre was Faerie Art. ![]() ![]() ![]() ![]() After he left the office, Straczynski realized he was in charge of 78 episodes that had to be written and story-edited simultaneously. ![]() He wanted Straczynski to be story editor on both and already told Simon and Trias that Straczynski was his top choice. Chalopin explained the story editors he hired, Len Janson and Chuck Menville, didn't want the workload that came with working on both the network and syndicated episodes. Chalopin finished a phone call and asked Straczynski if he knew Ame Simon and Jennie Trias at ABC. Straczynski went to Chalopin's office and noticed there was a lot of concept sketches for shows in various stages of development, including The Real Ghostbusters. Jim Carlson, the story editor, informed him he was being taken off the show and was to report immediately to Jean Chalopin, the owner of DIC. In January 1986, Straczynski went to DIC to drop off a script for Wheeled Warriors that he completed during the Christmas hiatus. He heard about The Real Ghostbusters in Daily Variety and hoped to write an episode or two, but knew his odds were small since he wasn't on ABC's list of approved writers. By the end of Christmas 1985, J Michael Straczynski had written 9 scripts for "He-Man," 9 for "She-Ra," 14 for "Jayce and the Wheeled Warriors," and story edited (without credit) about 24 freelance scripts at Filmation. ![]() |